Jewelry Art: Bird in Flight necklace

Some pieces of jewelry are actually miniature sculptures, and can even stand alone. In the past, these were often called "cabinet jewelry", and while it was meant to be a somewhat derogatory term that implied it was hard to wear, I have enjoyed making a few pieces like that in the past. But then once in a while, on the other hand, a truly successful artwork in the medium of jewelry surfaces - one that forms a symbiosis with its wearer. Such a piece is actually not complete until it is WORN. Seen by itself, it just sits there - but once it is put on, it literally comes to life. This necklace, titled "Bird in Flight" is just such a piece!

It is called a "torque" necklace, because it relies on the torque or springiness of the silver neckwire to hold its shape. The silver is hand-hammered on a polished anvil with polished hammers, not only to shape it, but to impart the "memory" of its graceful shape that clings to the nape of the neck. The position that it naturally comes to rest is actually on the SHOULDERS, not the back of the neck! Thus, its wearer is allowed total freedom of movement without feeling any sort of binding on the neck.

This position results in something remarkable happening that makes it an incredibly flattering piece to wear: First, it exposes the beautiful curve at the base of the neck, where the neck swoops into the shoulders (one of the most beautiful lines on a woman's body).... and, secondly, because the necklace is open on the front, there are no horizontal lines across the front of her throat, so the full sweep of the neck is visible in the front! Perhaps my most flattering piece when worn. The neat thing, though, is that the neckwire is wide enough so that it can be worn on a turtleneck, too.The "wing" surface is cast from a reticulated torch-textured silver piece, that emphasizes a rich, furrowed texture that contrasts nicely with the polished silver framework. This textured surface is meticulously hand-finished by a process that involves heating it to red-hot heat and quenching it in acid. This process is repeated over & over, until the silver is a pure crystalline-white color that reflects light in a unique way that can't be achieved any other way.

This piece currently goes for $350 in the silver version shown here, and I also make it as a fancier version (to be posted soon) with Amethyst and Freshwater pearls. Check out the earrings I designed to go with it (also to be posted soon!) I'll have a shopping cart set up soon, but meanwhile just call me personally at the studio to order one: (505) 296-1400, or
Email me at: David@StewartArt.com - I'll be in touch!

Jewelry Art: Jonah

"Jonah": 14K gold pendant (click to enlarge)

"Jonah", a whimsical pendant in handwrought 14K gold, is inlaid with carved OLD ivory. The stomach is ebony, and Jonah is carved turquoise with an opal face. The whale's spout forms the bail, shown on old ivory beads, but would display well on a strand of pearls, too. The ocean waves are flush-inlaid royal blue Lapis Lazuli. This one was SOLD some time ago, but I can make you a variation for about $2,800. (Note: Because ivory is restricted nowadays, I would probably use Fossil Walrus ivory instead)

Jewelry Art: Eye of Ra

"Eye of Ra" -(pendant: Click to enlarge)

"Eye of Ra" is another handwrought gold pendant with sugilite inlay, and a triangular amethyst; but this one is accented with 2 diamonds and a freshwater pearl. It hangs from a sugilite necklace with gold bead accents. The really different thing about the inlay on this pendant - though it doesn't really show up well in the photo - is that the sugilite pieces on the bottom are cut in little tablet shapes that overlay one another, almost like scales or shingles in three "courses", or layers. This was a totally original thought, and not one I had seen before. This one is SOLD, but a variation on this theme could be made for you, for about $5,500)

Jewelry Art: Sylvanspell

"Sylvanspell" (click to enlarge)

Possibly the largest necklace I've ever made, titled "Sylvan Spell". This was a combination of one-of-a-kind casting & handwrought components in Sterling Silver & 14K gold, inlaid with a variety of stones. Each leaf is actually 2 stones cut together in aesthetic combinations of color: turquoise & tigereye, faustite & malachite, etc. The large stone at the bottom is a huge green turquoise nugget, overlaid with smaller turqoise stones forming a path leading up to the door, which is made of cocobolo wood set in gold. It opens up to reveal a tiny painting on a miniature linen canvas of the interior - including a little cat sitting on a rocking chair by the wee fireplace (inset). Each sprig of 3 or 4 leaves is a seperate link in the "chain" that supports the tree. Rather than hang such a heavy necklace on a chain, I designed a silver yoke to bear the weight comfortably. This piece SOLD for $13,500, but a similar necklace would be considerably more today.

Jewelry Art: Pharaoh's Phyre

"Pharoah's Phyre"
(click image to enlarge)

This piece is a necklace titled "Pharaoh's Phyre". It's handwrought in 14K gold, and inlaid with purple African sugilite. The pendant is set with an amethyst as the main stone, with a Rhodolite garnet, another small amethyst, and a couple of diamonds accenting the textured goldwork. It hangs on a necklace of hand-ground sugilite beads, accented with gold beads and a single yellow pearl. ( This piece is SOLD, but a similar one could be made for about $6,500 )