Jewelry Art: Adjustable Ring

As you can probably see, this ring is an adjustable ring, meaning that it's an open, wrap-around design. It's probably best to get me to adjust the size for you if you want to change it - it's not meant to be constantly adjusted to fit one finger, then another. It's too heavy and sturdy for that!

click image to enlarge
I designed it at the request of one of my good customers, who bought the heavy silver bracelet I made in the same design (not yet posted - it will be when I make another one!)

The price of silver has been fluctuating quite a bit over the last many months, but currently, this ring goes for $145. Click the link below to go to the catalog page on my website, where you can add it to your shopping cart.

...Or, if you prefer, just drop me an email here, or call me direct at the studio - (505) 296-1400, and we can talk about making one for you. Delivery usually takes no more than 4-6 weeks, and sometimes is just a few days if I already have one in stock that just needs sizing for you!
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Fetish Bracelet

knew from its inception that this bracelet design was not going to be one of the most wearable designs I ever came up with. None of the compromises I conceived really made it any more practical - so I decided to procede with it anyway, and just build it so well, it would never come apart in use. The imagery was worth a little inconvenience - in short, it was just a neat damn bracelet. The fossil walrus teeth jutting out either side, one dark and one light, formed a really different line when mounted as a tangent to the curve of the bracelet - one I had never seen before.

Photo by George Post -click image to enlarge

The mounting structure that juts up from the center of the bracelet is inlaid with green fire agate and Faustite on the top, flanked by pieces of purple African Sugilite ... and then lower, by pieces of spiderweb chalcosiderite from Lander County, Nevada and more sugilite. The 18K gold bezels that seem to hold the walrus teeth belie the fact that there are heavy silver rods running inside the center of each tooth to ensure their stability. The transparent green stone on the lighter tooth is an emerald mounted in a gold bezel and inset into the surface of the ivory. The polished round "pebbles" of metal underneath the Fetish shape are made of bronze, copper, brass, silver and gold. The outer surface of bracelet between the polished rails is textured with stamps I made myself, evoking the feel of a fossil bed that might contain this artifact from another world.

There will never be another one just like this, but if you like the concept, let me design one specifically for you that's a variation on this theme. Call me at the studio to discuss the particulars at (505) 296-1400, or Email me at David@StewartArt.com, and play a part in its creation.

DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Etched Long Dome

This long-dome style ring is a classic shape for my style - I love what a longer ring does to a lady's hand. This one I treated a little differently: first, I covered the surface with designs and glyphs, tediously etched into the surface with dental burrs and stipple tools... and secondly, instead of flush-inlaying the sugilite stone into the surface, I thought it would be more dramatic if the stone rose out of the top surface in a polished bezel. And I went one step further: I made the bezel just slightly smaller than the opening in the dome, leaving a black space between the bezel & dome that forms a dramatic accent.

The stone is sugilite from Africa - a gorgeous purple stone with bluish-white & dark matrix. This ring is available now, and was made in a size 7 with a wide shank. Signed on the back with my hallmark stamp. Price is $345 plus $5 shipping and handling (priority mail). If you want me to send it to you, just email me at David@StewartArt.com or phone me at the studio: (505) 296-1400.
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: My Favorite Ring

Despite its simplicity, there's a reason this ring is my favorite - and that is that it's YOUR favorite! I've been making this ring design for over 18 years, and it's always been a best-seller at the fairs I've done coast-to-coast. Variations on this bubbly theme were some of the very first designs I handmade in jewelry 30 years ago.

I also make a plain version of this ring (with no pearl), but this one with a plump, pinkish freshwater pearl is actually the first version I came up with. I guarantee the pearl will remain intact: First, I drill each pearl and set it on a silver post that is cast into the ring, and secondly, I use EPOXY to hold it on. More tedious to use, but it's much tougher than traditional pearl cement. So ... if you ever lose the pearl, just send it back to me, and I'll put a new one on at no charge!

I can make this ring in virtually any size - it looks GREAT on any finger. Just specify your size, and I'll make one just for you for $48 plus $5 shipping & handliing. or just Email me at: David@StewartArt.com , or call me personally at the studio: (505) 296-1400.

I'll be glad to send you one of my favorite rings!
DESIGN, PHOTO AND TEXT © DAVID LLOYD STEWART - ALL RIGHTS RESERVED

Jewelry Art: Bird in Flight necklace

Some pieces of jewelry are actually miniature sculptures, and can even stand alone. In the past, these were often called "cabinet jewelry", and while it was meant to be a somewhat derogatory term that implied it was hard to wear, I have enjoyed making a few pieces like that in the past. But then once in a while, on the other hand, a truly successful artwork in the medium of jewelry surfaces - one that forms a symbiosis with its wearer. Such a piece is actually not complete until it is WORN. Seen by itself, it just sits there - but once it is put on, it literally comes to life. This necklace, titled "Bird in Flight" is just such a piece!

It is called a "torque" necklace, because it relies on the torque or springiness of the silver neckwire to hold its shape. The silver is hand-hammered on a polished anvil with polished hammers, not only to shape it, but to impart the "memory" of its graceful shape that clings to the nape of the neck. The position that it naturally comes to rest is actually on the SHOULDERS, not the back of the neck! Thus, its wearer is allowed total freedom of movement without feeling any sort of binding on the neck.

This position results in something remarkable happening that makes it an incredibly flattering piece to wear: First, it exposes the beautiful curve at the base of the neck, where the neck swoops into the shoulders (one of the most beautiful lines on a woman's body).... and, secondly, because the necklace is open on the front, there are no horizontal lines across the front of her throat, so the full sweep of the neck is visible in the front! Perhaps my most flattering piece when worn. The neat thing, though, is that the neckwire is wide enough so that it can be worn on a turtleneck, too.The "wing" surface is cast from a reticulated torch-textured silver piece, that emphasizes a rich, furrowed texture that contrasts nicely with the polished silver framework. This textured surface is meticulously hand-finished by a process that involves heating it to red-hot heat and quenching it in acid. This process is repeated over & over, until the silver is a pure crystalline-white color that reflects light in a unique way that can't be achieved any other way.

This piece currently goes for $350 in the silver version shown here, and I also make it as a fancier version (to be posted soon) with Amethyst and Freshwater pearls. Check out the earrings I designed to go with it (also to be posted soon!) I'll have a shopping cart set up soon, but meanwhile just call me personally at the studio to order one: (505) 296-1400, or
Email me at: David@StewartArt.com - I'll be in touch!

Jewelry Art: Raven Ring

Raven Ring-click image to enlarge view

I'd like to get back into the swing of things by posting this job I just finished - hot off the bench! I'll definitely be posting some of my best-sellers soon, but to keep it fresh, I want to put my current projects up, too.

This ring posed a small problem: Ravens are Dark ...Silver is bright. To keep the beak from becoming too glaring, I carved it as a series of polished ridges, keeping the main surface lower so it would hold the chemical oxidation - the dark patina that I usually use to bring out detail. Then I meticulously carved lots of detail into the feathers, so they would hold oxidation, too. When the dark areas contrast with the polished rims of the design, it forms a more dramatic image.

The ring stands up a bit on the hand - it's not a quiet, demure little accessory! It's what I call "bodacious". The eyes are black onyx inlaid into the carved head. Didn't have a model around, but take my word for it - it looks cool on the hand!

Price on this piece is currently $200, and I can make it for you in any size you want. I'll have a shopping cart set up soon, but until then, just call me personally at the studio - (505) 296-1400 - to place your order, or Email me at: David@StewartArt.com , and I'll be in touch!

Jewelry Art: Mystic

"Mystic": pin/ pendant (click to enlarge)

This is a pin/ pendant I crafted in Sterling silver, with accents in 14K + 24K gold. The body pattern was made by fusing 24K & 14K gold onto a sterling silver sheet, then rolling the assembly in a mill to create a flush, smooth surface, which I then treated with acid to create a rich patina on the metal. The inlay across the bottom of the body is African Sugilite, and the heart is a faceted amethyst, set in a gold bezel. I carved the face out of a piece bamboo coral (so named because of it's shape & color), and the "crystal ball" is actually a rainbow moonstone. It stands about 4" tall. It features an enhancer bail, that allows it to be hung on a variety of necklaces, like pearls, liquid silver, etc. This one is SOLD, but a comparable piece would run about $2,200.

Jewelry Art: Sylvanspell

"Sylvanspell" (click to enlarge)

Possibly the largest necklace I've ever made, titled "Sylvan Spell". This was a combination of one-of-a-kind casting & handwrought components in Sterling Silver & 14K gold, inlaid with a variety of stones. Each leaf is actually 2 stones cut together in aesthetic combinations of color: turquoise & tigereye, faustite & malachite, etc. The large stone at the bottom is a huge green turquoise nugget, overlaid with smaller turqoise stones forming a path leading up to the door, which is made of cocobolo wood set in gold. It opens up to reveal a tiny painting on a miniature linen canvas of the interior - including a little cat sitting on a rocking chair by the wee fireplace (inset). Each sprig of 3 or 4 leaves is a seperate link in the "chain" that supports the tree. Rather than hang such a heavy necklace on a chain, I designed a silver yoke to bear the weight comfortably. This piece SOLD for $13,500, but a similar necklace would be considerably more today.

Objet d'Art: Spirit Egg

"Spirit Egg" (click image to enlarge)
......was a custom piece done for the famous actor & artist, Anthony Quinn. He collected Eggs, so I designed this one in my own style. I first created a large egg in sterling silver, with a hidden hinge that allowed it open & close with no evidence of the fact on the outside. I then cut individual turquoise pieces to fit together perfectly and covered the entire surface, and then ground & polished the outside smooth. One piece of turquoise was carved in a spirit face and inlaid amongst the other stones. The inside of the egg was encrusted with silver "teardrops", which were polished to contrast with the patinated background, like stars in the night sky. Hidden inside the egg are loose individual carvings of more spirit faces, done in mammoth ivory, stream pebbles, and turquoise. (See post below for photo of inside) A similar piece today would run about $7500.

(Spirit Egg: open)

"Spirit Egg" -(open)
(click image to enlarge)
This is what the egg looks like open, showing the invisible hinge mechanism - the interior is encrusted with little silver "teardrops", polished to contrast against the patinated silver backgound. Contained within the egg are loose carvings of spirit faces, done in stream pebbles, mammoth ivory & turquoise.